Discovering Identity, Materiality, and Craftsmanship in Nifemi Marcus-Bello's Oríkì Act I: Friction Ridge

Photo: Nifemi Marcus-Bello

Marta is honored to present "Oríkì (Act I): Friction Ridge," the first in a series of design acts by the talented Nigerian-American artist Nifemi Marcus-Bello. The exhibition explores themes of identity, materiality, and craftsmanship through six bronze sculptural benches and a specially created soundscape.

Named after the multi-generational practice of praise poetry and affirmations amongst the Yoruba people of West Africa, "Oríkì" showcases Marcus-Bello's personal oríkì as delivered by her mother, Folake, in the exhibition's soundscape. The repetition of a single form, combined with the focus on the physicality, texture, production process, and craftsmen involved, make the pieces visually and intellectually impactful.

Inspired by the Surma people of Ethiopia, who paint each other using the repetitive imprints of their finger pads, "Friction Ridge" refers to the skin ridge patterns on the fingers and palms used for gripping and touch work. These themes are incorporated into the designs of the sculptural benches.

The pieces were created using the lost-wax casting technique, previously used for making royal portraiture in the Benin Kingdom. This historic technique, combined with contemporary forms, was made possible by the recent repatriation of some of the looted Benin bronzes. The resulting seating sculptures offer a space for multiple people to sit and reflect together.

Photo: Nifemi Marcus-Bello

"Oríkì Act I: Friction Ridge" is a must-see exhibition for anyone interested in art, design, and the exploration of identity and materiality. Nifemi Marcus-Bello's unique vision and talent make this exhibition a memorable and thought-provoking experience.

On view from 26 Jan 2023 – 4 Mar 2023